Monthly Archives: June 2011

Centre for the Study of New Literacies International Conference

I leave in a few days for the Centre for the Study of New Literacies conference at the University of Sheffield. I’m eager to go and spend a couple of days in conversation with a number of people whose work I’ve admired for a quite a while (Julia Davies, Kate Pahl, David Barton, Eve Gregory, and others) and other people whose work I don’t know yet, but looks fascinating. My talk is titled “The World on Your Screen: Literacy and Popular Culture in a Networked World” and comes from the work Amy Zenger and I have been doing for our new book project.  I’m grateful to have been invited to talk at the conference and eager to get revitalized with the conversations there.

The abstracts for the conference are here.

I’ll try to blog from the conference itself, though I’ll admit that when I get caught up in the conference I stay connected into the people there more than I do online. But I’m sure I’ll have much to say when the conference is over (well, and we’re done taking a holiday after the conference to Dublin and Scotland.)

Now, what to read on the plane…

Advertisements

The Two-Way Bridge (Part 1)

If I have problems with the metaphor of popular culture being conceived of as a “bridge” from less worthy literacy practices to more valuable and acceptable academic literacies (see below), how do I imagine we can think about creating our pedagogical bridges to carry rhetorical and semiotic traffic in both directions? Or, to avoid driving the metaphor too far, how do approach teaching reading and writing in ways that actually help young people be more creative and effective interpreters and composers of texts in and out of school?

We have to begin with a sincere appreciation of and interest in what students are doing outside of school. Sounds simple enough, right? But so many times I see teachers from middle school through college unable to bring themselves to the point of genuine interest and appreciation for what their students are engaged in outside of school. The reasons I’ve heard given for this reluctance are many, from questions about the legitimacy of popular culture as a subject to be addressed in school to concerns about whether explicitly opening the door to popular culture might bring offensive material into the classroom to fear that the teacher’s lack of knowledge of what is popular with students will undermine authority in the classroom. And the reasons – and there are many more – sometimes make sense to me, but more often do not.

Rather than kvetch about the problems, though, I’d rather think about how we can engage students in  work with digital media and popular culture in ways that enriches their literacy practices in every aspect of their lives. So I’ll be working, over the coming months, on playing with some of those ideas toward a project Dan Keller and I are thinking about, tentatively titled Teaching Convergence Culture.

One place to start is to think about what actually characterizes more participatory learning? Vanessa Vartabedian and the people at Project NML (New Media Literacies) are is doing very exciting work with this. What I want to highlight today, though, is their list of five characteristics of participatory learning:

  • Heightened motivation and new forms of engagement through meaningful play and experimentation;
  • Learning that feels relevant to students’ identities and interests;
  • Opportunities for creating using a variety media, tools and practices;
  • Co-configured expertise where educators and students pool their skills and knowledge and share in the tasks of teaching and learning;
  • An integrated system of learning where connections between home, school, community and world are enabled and encouraged.

I like the succinct and yet expansive nature of these characteristics and the way that they focus on different aspects crucial to learning, such as motivation, location, and role of the teacher.  I’ll have more to say about this soon.